Review:
Prescott’s The Conquest of Mexico
The
Conquest of Mexico by William Hickling Prescott, illustrated by Keith
Henderson, with an Introduction by T.A. Joyce
Chatto
& Windus, London, 1922
Two
quarto volumes; hardcover, with gilt decorative motifs on front boards and gilt
lettering on spine; 965pp. [480pp. + 485pp.], untrimmed with wide margins, top
edges gilt, many black & white illustrations; monochrome map of the Gulf of
Mexico as pastedowns and endpapers. Boards rubbed and spines sunned and
slightly soiled; upper board fore-edges show mild insect damage; light bumping
to corners and shelfwear to spine heads and tails; previous owner's inscriptions
in both volumes along with retailer's bookplate on front pastedowns; scattered
spotting to prelims.; browned page edges; top edges dusted. Good to very good,
else.
At
the risk of proving myself to be a complete nutcase about ancient South
American civilisations, I present as today’s review something that might just
qualify as an actual Mythos tome. It’s gloriously quirky and beautiful to
behold, so I just had to share!
Thanks
to Spanish missionary efforts like those of Diego de Landa, Bishop of Yucatan,
original documents pertaining to the indigenous cultures of South America were
mostly destroyed before any analysis of their contents could be carried out.
This meant that everything we know about these civilisations comes from the
Spanish and Portuguese records of their conquests and occupation. In the past
what scrolls were taken back to Europe were largely dismissed as nothing more
than patterned textiles; it wasn’t until the early Nineteenth Century that they
were identified as textual documents and the business of their translation was
begun.
In
the full flood of this investigation, William H. Prescott penned his two epic
histories – The Conquest of Mexico and The Conquest of Peru. These were
necessarily compiled from Spanish and Portuguese textual sources but swiftly
became a mainstay in studying these regions of the New World: in fact Col.
Percy Fawcett swore by his work as part of the preparations for his doomed
explorations in Brazil. Published in 1843, the work stood the test of time for
a further 80 years before any serious questions as to its accuracy were voiced.
Prescott
worked only through the documents which he had amassed in his home in England.
He had no access to studies in Anthropology, Ethnology or Sociology as these
disciplines were in the first stages of their establishment. On top of this he
was also nearly blind. That he managed to exert his imagination and critical
faculties to produce such a compelling narrative of the clash of cultures which
the Conquest comprised, and to bring to life the characters of Cortes and
Montezuma, is an incredible accomplishment.
Keith
Henderson, the illustrator, made a personal commitment to attempt the
illustration of Prescott’s work whilst pinned down by other duties during the
Great War. Once freed of the conflict he spent hours in the British Museum with
T.A. Joyce (head of the Department of Anthropological and Oriental studies and
who wrote the Introduction), learning about the Aztec culture and honing his
style for the purpose of illustrating the text. Much of the first section of
Volume One is decorated with marginal line drawings taken from the Codices
available to him at the ‘Museum and they help to ground the introductory
back-story of the Conquest in an ‘ancient’ sensibility. In later sections, Henderson’s
precise linework captures the bizarre confrontation of 16th Century
Spanish armour and the garish battle costumes of the Aztecs. He becomes, as he
states in his Introduction, a fly on the wall of these great events, and in
depicting them, takes us along for the ride.
The
coming years may see the inevitable decline in publishing productions as
beautiful as this is. Until then, I’ll keep bringing them to your attention.
And
of course, I give this the full five tentacled horrors!
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